Difference between revisions of "Computer music techniques"
Latest revision as of 22:38, 15 June 2017
Computer Music Tutorial References
Harmonic Additive Synthesis Fixed waveform additive using harmonics or partials Time varying additive synthesis Additive analysis/resynthesis. Use realtime input and a filter bank (FFT) to generate the analysis, then modify and resynthesize. Compositions Earth's Magnetic Field, Charles Dodge. Driving functions from geomatric, stochastic and mathematic models. (1970) Stria, John Chowning. Additive synthesis of inharmonic spectra. (1977) Phrases (Formes language of Rodet and Cointe 1984) Tendency Masks (POD system of Truax 1977) Sound Objects (SSSP system of Buxton et al. 1978) Clouds (Roads 1978c, 1991) Inharmonique, Jean-Claude Risset (1970) Waves n'shit Multiple Wavetable Synthesis Wave Terrain Synthesis Granular Synthesis Subtractive Synthesis Subtractive analysis/synthesis Vocoder Linear Predictive Coding Modulation Synthesis bipolar versus unipolar signals Ring Modulation Amplitude Modulation Frequency Modulation Multiple Carrier FM Multiple Modulator FM Feedback FM Phase Distortion Waveshaping Physical Modeling and Formant Synthesis Physical Modeling Synthesis Source and Parameter Analysis for Physical Modeling Karplus-Strong Synthesis Formant Synthesis (FOF and CHANT and VOSIM MOR transformations) Waveform Segment, Graphic and Stochastic Synthesis Waveform Segment Techniques Linear Interpolation GEN functions SAWDUST SSP Graphic Sound Synthesis UPIC Graphic Synthesis with MIDI? Noise Modulation Noise Modulated FM and AM Waveshaping with random functions Stochastic Waveform Synthesis Dymanic Stochastic Synthesis GENDY