GNAR: Difference between revisions
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The toolchain begins with the [[computer music workstation]] and expands out to software and hardware synthesizers, DSP plugins and analysis tools. Studying source code on the software layer is crucial. Studying circuits on the analog layer is required. | The toolchain begins with the [[computer music workstation]] and expands out to software and hardware synthesizers, DSP plugins and analysis tools. Studying source code on the software layer is crucial. Studying circuits on the analog layer is required. | ||
An important note is musical composition is not the focus of this group. That subject is better serviced by [[Songbridge]] which is an ongoing tutorial series on composing song structures, mostly in Ableton. | |||
== Reading List == | == Reading List == | ||
* [https://books.google.com/books?id=_Zs_CQAAQBAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false Composing Electronic Music] | * [https://books.google.com/books?id=_Zs_CQAAQBAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false Composing Electronic Music] | ||
Revision as of 14:14, 29 April 2016
GNAR is Noisebridge Audio Research.
The primary objective is to provide community resources to conduct research and experiments on the subjects of sound, signal and noise. The secondary objective is a commitment to a Free/Libre Open Source FLOS approach.
The toolchain begins with the computer music workstation and expands out to software and hardware synthesizers, DSP plugins and analysis tools. Studying source code on the software layer is crucial. Studying circuits on the analog layer is required.
An important note is musical composition is not the focus of this group. That subject is better serviced by Songbridge which is an ongoing tutorial series on composing song structures, mostly in Ableton.